It turns into this overwhelming pulsing sound, and you can't hear anything. Condition: New without tags. "[153], While recording The Cure's debut Three Imaginary Boys album in 1978, Smith was using a Woolworth's Top 20 electric guitar, and he was advised by Chris Parry to use a better instrument. zeldarien liked this . The result was a 45-minute television programme featuring performances from Siouxsie and the Banshees, the Glove and the Creatures, in which all four members of the Banshees appeared in a recreation of the Mad Hatter's Tea Party dressed as Alice, while each individual member scripted their own solo character performance and monologue. [40][49] Determined not to let the tour end, Smith volunteered to replace McKay temporarily on condition that The Cure remained the opening act,[49] while ex-Slits drummer Budgie joined on drums. [52], Smith meanwhile conceived the Cult Hero side-project to collaborate with bassist Simon Gallup of the Magspies, recorded at Morgan Studios in October 1979. All Hotvero products packed nicely and clean. [2] Smith and his younger sister Janet received piano lessons as children. He later recalled: "...every person in Britain who saw that performance, it's stuck with them. Smith, Jerry, "Kiss Me Kiss Me Kiss Me FM". [204], While The Cure was recording the Wish album at Shipton Manor, Oxfordshire between 1991 and 1992, among the objects pinned to the wall was "Mary's Manor Mad Chart", listing seventeen members of the Manor's staff and residents (including The Cure and their entourage) "in order of instability". Although released under the name of The Cure, the only personnel to perform on the original Flexipop single release of "Lament" in August 1982 were Robert Smith and Steve Severin, and soon afterwards, Smith admitted that The Cure as a band now existed in name only. Neil Gaiman, author and creator of Vertigo Comics' The Sandman (1989–1996), based the appearance of his lead character partly on that of Robert Smith, and partly on himself in his twenties. [141], Smith soon became influenced by the emergence of the UK punk scene of 1977, and has cited the Sex Pistols, the Stranglers, Elvis Costello and the Buzzcocks as important influences on his own music from this period. I even change the speed of the tape to detune some parts. Many of you know I am from Glasgow. I had never used the words. This new haircut made the headlines on MTV news.[146]. [1], Robert James Smith was born on 21 April 1959 in Blackpool, Lancashire, the third of four children born to Rita Mary (née Emmott) and James Alexander Smith. Ian Birch of Melody Maker recognised the Banshees' influence on Smith's band early on, comparing The Cure's 1978 debut single “Killing An Arab” favourably to Siouxsie's “Hong Kong Garden” (released a few months earlier). My ambition was to marry the two.[142]. Robert Smith)" for Blink-182's self-titled album released in November,[108] and "Believe (feat. He listened to music he hadn't listened to for years, old blues and jazz records, and read voraciously. Ian Shirley, author of Can Rock & Roll Save the World? We went through about five different singers – they were fucking useless, basically. Of his first lessons, Smith stated: I started on classical guitar, actually. Despite a positive critical reception, however, neither Dixon nor Smith were happy with the results, and the Les Enfants Terribles project was shelved indefinitely. I played the entire Three Imaginary Boys album through a Top 20 pickup. [128], From 2010–2012, as well as continuing to collaborate with other artists as a guest performer, several cover versions were released by Robert Smith performing solo. Both of those styles were left behind as a third emerged during the production of The Cure's debut album, Three Imaginary Boys. [166] Burton asked Smith to score the soundtrack for Sleepy Hollow (1999), but Smith said that "they were postponing it so much that I got involved with [The Cure's album] Bloodflowers and let it aside". Thompson had also joined the group on stage on 8 November, and on the final night of the tour in Ireland on 3 December, Cranes joined The Cure on stage for the final encore of The Cure's "Forever". They were in the same drama class. See: Barbarian, L., Steve Sutherland and Robert Smith. [141], Elsewhere Smith said that the Stranglers were his favourite punk band and that Elvis Costello "was a cut above the whole lot of them", in terms of lyrics and songcraft. The 27 date tour will absolutely be a must for fans of the band. Recordings from the event were later released as The Stranglers and Friends – Live in Concert in 1995. Smith said: The Cure doing Depeche Mode as The Cure just didn't seem quite right. [66][67][71][73] His return to guitar duties with the group prompted Smith to remark: He later said that he was "fed up" and "really disillusioned" with the pressures of playing in The Cure, and that "the Banshees thing came along and I thought it would be a really good escape". As Smith told Jam! In February 1998, Robert again collaborated with Reeves Gabrels in the studio, co-writing, singing and playing on the song "Yesterday's Gone" (eventually finding its way to CD release in 2000). I was the drunk rhythm guitarist who wrote all these weird songs. He was probably my only real idol. Smith offers to roshambo Cartman to get his Walkie-Talkie back, and immediately kicks Cartman in the groin, causing him to drop the walkie-talkie. [183] Rob Newman and David Baddiel's live comedy video, History Today (1992), also features Newman's Robert Smith character, singing the children's songs "Head, Shoulders, Knees and Toes" and "I'm a Little Teapot". [194], He told Wentz that the "Disintegration is the best album ever!" The only people who can stop her are film critic Leonard Maltin and actor Sidney Poitier, along with Smith. Smith explained this guitar customization in 1992: "The third pickup [in the Fender Jazzmaster] is from a Woolworth's Top 20 guitar, my very first electric. [71], The Glove's Blue Sunshine album and its lead single "Like an Animal" were both released in August 1983,[79] followed by the Siouxsie and the Banshees' single "Dear Prudence" (a cover of the Beatles' song) in September, all on the Banshees' own label Wonderland Records. Robert Smith's Conception of the Cure". robert smith. Another ingredient of Smith’s guitar sound is the Fender VI, which proved to be a staple of The Cure’s sound during the early 80’s on Cure albums such as Faith, was used as the main instrument on the Carnage Visors instrumental soundtrack that the band recorded that same year, and it was later played by Smith extensively on the 1989 release Disintegration. Although Smith wrote most of the lyrics for Seventeen Seconds, many were also rewritten by the group during the recording of the album itself. In the series' final episode, Ray is given a copy of the Cure's Disintegration LP as a present, and is so overwhelmed that he can no longer speak in a sarcastic tone, and spontaneously begins speaking Flemish. He claimed that Mary "used to dress as a witch to scare little children", that she sometimes dressed up as Robert Smith in his pyjamas, and that he could never take people home "because I never know who is going to answer the door". You knew straight away, you either loved it or hated it, and it polarised an entire nation for that summer. [200] Smith and Poole have 25 nephews and nieces. I'm not sure from whom, but he said they'd never miss it. It is nice to sing a song that meant something, and to think it is going to be a single is a good thing. to which Vyvyan replies, "No Neil, Neil, it's madness this week. In the studio, I often defy the tuners, particularly with keyboard overdubs. [24] Smith said that "the group" eventually became Malice, "sort of a sub-metal punk group -with Michael Dempsey, Laurence and two other blokes. It was very moving". [21] Smith has given conflicting accounts of his alleged expulsion: elsewhere saying that he was merely suspended, and that it was because he did not get along with the school headmaster,[22] and, on another occasion, saying he was suspended "because my attitude towards religion was considered wrong. Smith said he was against their having children as he not only objects to having been born but refuses to impose life on another. "[10] Dempsey, who eventually moved from guitar to bassist for "The Group", said that another name they toyed with was the Brat's Club – a reference to Evelyn Waugh's A Handful of Dust. Apter, Jeff. Robert, who is the only continuous member of the legendary band … To battle Mecha-Streisand, Smith transforms into "Smithra", who has the ability of "robot punch", and ultimately defeats the monster by taking it by the tail and hurling it into space. This new sound, which can be heard on most of the final versions of songs from that period, became the signature Smith sound, which he generally abandoned during the Seventeen Second… In 1986, Smith altered his image by appearing on-stage and in press photos sporting short spiky hair and polo shirts (this can be seen in The Cure in Orange). The problem for us was how can we get Barbarella onto a record sleeve and not be seen as idiots.[78]. "[217], English singer, multi-instrumentalist and songwriter, For the Irish musician and singer-songwriter, see, Cult Hero and Dance Fools Dance label: 1979–1980, The Stranglers and Associates: April 1980, The Venomettes and Marc and the Mambas: 1983, Remixes, Cranes, Pirate Ships, And Also the Trees: 1989–1993, Bowie, Reeves Gabrels, Mark Plati, and COGASM: 1997–1999, More guest vocals, plus solo cover versions: 2010–2020, Pop culture: references, portrayals and appearances, Other comic book and fan fiction references, Television parodies and cameos: 1990–1993, The Easy Cure "group home demo" of "Grinding Halt" from March 1978, with Tolhurst's longer original lyric, was later released on, "Robert Smith home demo" version of "10:15 Saturday Night", recorded in February 1978, appears on the 2004. magazine's Cam Lindsay later observed, The Cure became "the band to namedrop as a musical influence, sparking rejuvenation for their career. About six months later I saw it and I was completely thrown by what they had done with it. "[25] As "The Group" gradually became Malice and began regular rehearsals in January 1976, Smith was still one of several floating members. [101] Smith's contribution to "Yesterday's Gone" appeared on Gabrels' solo album Ulysses (Della Notte) released in 1999 via Internet and in 2000 on CD by E-magine Music. But I'm not like that all the time. [44] Of 1984's The Top, Smith would say it was "the solo album I never made",[45] having played nearly all instruments himself except for drums (by Andy Anderson),[46] with Porl Thompson contributing saxophone to one song ("Give Me It").,[47] and Tolhurst contributing keyboards to only 3 of the album's 10 songs. [172] Gaiman said that early conceptual sketches for the character by Leigh Baulch and Dave McKean drew influence from David Bowie's Aladdin Sane persona, and Bono from U2. I learned a lot, but got to the point where I was losing the sense of fun. I simply answered it was something I had made a long time ago. THE CURE T-shirt. [31][32] During March 1977, a vocalist named Gary X came and went, and was replaced by Peter O'Toole, described as "a demon footballer and Bowie fan" who made his singing debut in April. [71][85] Pope at the time was the regular director of promotional videos for The Cure, Siouxsie and the Banshees and Marc Almond, among others, but was taken aback when his fame on American MTV as a video director began to rival that of the bands he worked for. £8.54 each. Unlike his previous solo covers (such as "Pirate Ships" and "World In My Eyes"), these were officially released under the name of Robert Smith, rather than The Cure. [155], Speaking to The Hit in 1985, Smith gave a frank assessment of his approach to guitar playing, and musicianship in general. [25][26] Of their first "proper" rehearsal at St Edwards Church, Smith said: I think it all came about because Marc Ceccagno wanted to be a guitar hero. See more ideas about 80s music, robert smith the cure, post punk. The first thing Robert Smith does is apologise for the makeup. [118] In 2004, on 17 September at Old Billingsgate Market in London,[119] Robert joined Blink-182 live onstage to perform "All of This" during the MTV Icon tribute to The Cure. There's one bit in the film when they see a poster for 'The 13th', the first single from the last album, and she says to her friend, 'Are they still releasing records?' Robert Smith met Steven Severin of Siouxsie and the Banshees at a Throbbing Gristle and Cabaret Voltaire gig at the London YMCA on 3 August 1979. [196], On 13 August 1988, Smith married Mary Theresa Poole (born 3 October 1958), whom he met in drama class at St Wilfrid's when he was 14. On the 1987 release Kiss Me, Kiss Me, Kiss Me, Smith showcased a diverse style of guitar playing across the 17-track album. robert smith 80s - Google Search. I wish I'd stuck with it. Robert Smith, 34, could hardly believe his luck when a schoolgirl from Hull posted on the Omegle website that she was "bored" and invited people to contact her. While he was never one to shred with the same flash as some of his '80s contemporaries, his influence over droves of players and sub-genres should earn him a more revered spot in the guitar gods pantheon. [141] Of this period, Robert Smith later went on to say: My brother was also crazy about Captain Beefheart, Cream, Jimi Hendrix, so much so that when I was 7 or 8, to the despair of my parents, I became some kinda little devil fed on psychedelic rock.[12]. Bastards.[192]. I took it in to record our first album, along with a little WEM combo amp. [14] Smith was quoted in several earlier sources as saying he purchased the Top 20 himself for £20, in 1978. People think you're like that all the time, but I don't think that. With every Cure album release onward, Smith would incorporate a number of different guitars and sounds into the Cure’s repertoire with stylistic versatility and craftsmanship over the course of thirty years. Colin Raff of the New York Press described "Poppy Z. Brite's enthusiastic appraisal of Robert Smith's mouth in her (sic) depiction of a fictional blowjob" as "an example of the unfortunate habit of many fiction writers (especially since the 1980s) to invoke pop stars and their lyrics with un-ironic [sic] reverence, resulting in prose about as reflective as voyeuristic journalism, bad porn and bumperstickers". Around that time, Smith said he wanted to improve his singing, the opposite of his goal in 1984: he remarked in the documentary Ten Imaginary Years that he tried to sing badly on the album The Top. Consequently, although he has a presence on multiple social networks, he does not actively use it, instead using it as an official presence to prevent imposters. [27], By December 1976, Graham's brother had been replaced by vocalist Martin Creasy, a journalist with The Crawley Observer, whose brief tenure with the group was a live débâcle according to those involved. I remembered the power of that live performance and I've tried to have that in my mind since I started up my own group. Sandall, Robert, "Disintegration" (Robert Smith Interview). To test the idea, Smith and Severin recorded a reworking of The Cure's "Siamese Twins", with Lol Tolhurst on drums, and Anne Stephenson and Virginia Hewes (later known as Ginni Ball) of the Venomettes on violins, which was performed on BBC Two's music programme Riverside in March 1983, featuring two dancers choreographed by Dixon. Let’s show those Quietus people what a proper list looks like! shiftken liked this . Comedy Central's debut screening in February 1998 marked the first time a cable station had beaten one of the Big Three television networks during prime time viewing,[189] and "Robert Smith Kicks Ass" T-shirts were reportedly "doing a healthy trade among Cure fans" soon afterwards. 1987 saw the release of the double album Kiss Me, Kiss Me, Kiss Me, with the singles "Hot, Hot, Hot!" Robert Smith has credited his older siblings Richard and Margaret with exposing him to rock music such as the Beatles and the Rolling Stones when he was six years old. [214], With the patience of a saint, she spent a month teaching me the rudiments of playing piano. I think he completely changed his persona on stage because of that; he came out of his shell. [163][164][165] In 1996, Smith confirmed to French magazine Télérama that Burton had approached The Cure about a number of collaborations, and regularly kept in touch with the group about each of his latest film projects, but that they had thus far always been too busy either touring or recording to contribute. [190] Smith later described the impact of the episode on his twenty-odd nieces and nephews to Q magazine: "Being in South Park has made a huge impact on their lives. "[156], An early "pop culture" reference to The Cure is found in the eleventh episode of BBC2's anarchic alternative comedy series The Young Ones, from 1984. [117] "Truth Is (Featuring – Robert Smith)" appeared on former Nine Inch Nails drummer and co-founder Chris Vrenna's second Tweaker album 2 a.m. Wakeup Call, released 20 April 2004. [174] Smith said that the song "Burn", The Cure's contribution to the 1994 film adaptation's soundtrack, was deliberately written and performed in the style of "The Hanging Garden". [211][212] During the mid-1980s, Janet gave up a professional career as a pianist to spend more time with Porl and The Cure,[202] and the couple were married in March 1988. However, Smith denies any credit for this trend and claims it is a coincidence that the styles are similar, stating that he wore makeup since he was young and stating that "it's so pitiful when 'Goth' is still tagged onto the name of The Cure". Considine, J. D., "What's The Big Idea? [71][74] The Glove took its name from the "murder mitten" from the Beatles' animated feature Yellow Submarine, while the album title came from a B-movie by the same name about a potent strain of LSD that caused people to lose their hair and turn into homicidal maniacs many years after their first trip. "[141] Smith said that the first LP he ever purchased with his pocket-money was The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowler and Dray note that The Obelisk had "featured Dempsey and Ceccagno as guitarists and him [Robert] on piano as very much a background player. Robert Smith. Robert Smith may be the most underrated rock guitarist of all time. [185], Mike Leigh's 1997 film Career Girls depicts the reunion of two women who formerly shared both a flat and a love of The Cure as teenagers in the 1980s, featuring the band's music and imagery throughout. [74], Returning to England from the Banshees' tour of Australia, New Zealand, and Japan in January 1983, Smith was approached the following month by Nicholas Dixon, a young choreographer with the Royal Ballet, to score a choreographed adaptation of Les Enfants Terribles. Newman), before leading a conga of mourners in party-hats around the graveyard. Apter also reports that Smith put in minimal effort at Notre Dame, sufficient to gain pass marks, and quotes Smith as saying, "If you were crafty enough ... you could convince the teachers you were special: I did virtually nothing for three years. The CURE T-shirt 80's New Wave Robert Smith Tee 100%Cotton Adult Men M-2XL Black | eBay. [71][75] Budgie's then girlfriend Jeanette Landray, formerly a dancer with Zoo, was recruited to perform vocals, while Andy Anderson from Brilliant was brought in to play drums. [6] When he was three years old, his family moved to Horley, Surrey, where he later attended St Francis' Primary School. I just usually write when I'm depressed. I enjoy it a lot more than any other kind of sound". Length(Back Neck To … Then I spent eight or nine months on social security until they stopped my money, so I thought 'now's the time to make a demo and see what people think'. [153], Speaking about Wish in 1992, Smith also offered the following input on how detuned instruments played a significant role in the album, and the challenges of capturing the sound live. Tellier, Emmanuel, "Les Attrapes-Coeurs de Robert Smith, The Cure". On one occasion, Smith said that he wore a black velvet dress to Notre Dame and kept it on all day "because the teachers just thought 'oh, it's a phase he's going through, he's got some personality crisis, let's help him through it'. [4] Raised Catholic,[5] Smith states that he is now an atheist. "[168] Shortly after the award ceremony, Burton again reiterated to BBC 6 Music his long-standing admiration for the Cure, and his desire to collaborate with them. 279–280; Vianna, Luciano, "Bloodflower opens up The Cure's wounds". [110] Although issued under the moniker of The Cure, the "Mark Plati mix" was in fact an entirely new recording resulting from the studio collaborations between Slick, Plati and Smith. [2] He later attended Notre Dame Middle School from 1970 to 1972, and St Wilfrid's Comprehensive School from 1972 to 1977. Membership "used to fluctuate between five and fifteen" people according to Smith. In a scene where David Baddiel fantasises about his own funeral, Smith appears graveside, saying: "I've never been this miserable. [101] Again, both were released under the name of the Cure, but were essentially Robert Smith solo recordings. [216] In a 2019 interview with Rolling Stone, Smith commented on his political views saying he has "always held what could be considered a socialist viewpoint on the world" before concluding that "I think right of centre is always wrong, and that’s as political as I get in public. Smith said that they were known simply as "The Group" "because it was the only one at school so we didn't need a name. [169] Other illustrators of the character over the course of the series' run have also drawn influence from other popular musicians; Sam Kieth, for instance, describes his rendering of the Sandman character as the "David Bowie/guy-from-the-Cure" version, and said that the Robert Smith look of the character was "really heavily championed" by Neil Gaiman and DC Comics editor Karen Berger. Most of the lyrics had been written in one night in Newcastle. Smith is considered to be one of the most influential and underrated guitarists of the twentieth century. It's like Kennedy being shot for another generation. “It is weird looking back,” Smith says. [42] In contrast to Tolhurst's recollection of their songwriting as a group effort until after 'Pornography', in 1982 Smith claimed to have written "90 per cent of the 'Pornography' album", and that he therefore couldn't leave The Cure, because it wouldn't be The Cure without him.[43]. [48][49] Both the Banshees and The Cure had been signed to Polydor and its imprint Fiction, respectively, by Chris Parry, and Smith was already a fan of the Banshees. Smith also described his detuning process: I don't know what it adds, but the guitar just doesn't sound quite right to me normally. In 2002, as Exclaim! The band's aesthetic went from gloomy to psychedelic beginning with The Top. Severin was unavailable for the television appearance, so Porl Thompson appeared miming the bass, disguised in a long coat and hat. 80’s darlings, The Cure have announced an extensive U.S. tour. Several high-profile … Because if you look at early clips of their performances you can see he's sort of much more shy and retiring than he becomes a bit later on, and of course, his whole look changes as well. Malins, Steve, "Robert Smith – Cash For Questions". "[10] According to Smith, "four other kids" beat him up after school, although Jeff Apter notes that Smith has given several conflicting versions of the story. hexwrtebj1i liked this . [208][209] Janet, together with Simon Gallup's then-girlfriend Carol (both dressed as schoolgirls), with real-life schoolboys "the Obtainers", sang backing vocals for the Cult Heroes' live performance at the Marquee Club, opening for the Passions in March 1980. At the time, the episode brought South Park its highest ratings to date, with approximately 3,208,000 viewers; about 40,000 more than tuned into ABC's Prime Time Live. [84][86][87] Pope made an accompanying video for his showreel, asking several of the artists he worked with (The Cure, Siouxsie and the Banshees, Soft Cell, Talk Talk, the Style Council, Paul Young and Freur)[86] to "come along and slag me off on the showreel". [181] The Mary Whitehouse Experience (1992) poked fun at Smith's attempts to use lighter pop music to "show his happier side", by presenting a series of sketches in which Smith (played by Rob Newman) performs comedic novelty songs "The Laughing Policeman", "Tie Me Kangaroo Down, Sport", "Ernie", "Crash Bang Wallop", the theme to the children's programme Play Away, and the WWI soldiers' "Chinese crackers in your arsehole" parody version of the patriotic anthem "Rule, Britannia!". Charity Heart Research UK a cartoon character I 'm not like that all the time Saturday 's Pasadena Daydream at. There was an interest in psychedelia record deals being offered to which Vyvyan replies, `` No Image, robert smith 80s! 80S ''. [ 146 ] to Smith No idea what it was not long afterwards that Robert Smith ''... Promotional Folder ), 1994 McKay, the Cure ( Part 2 ) '' on veteran Bowie guitarist Slick! Stagecraft, and it polarised an entire nation for that summer ' was played for the,! 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